Something dead approaches. You shouldn’t even know that it’s there. But you do! Imagine them all lurking, the sad monsters. Just hanging around unseen. Trying to feel like part of the surrounding humanity. They sit in cafes. They go to movies. They ride in cabs next to people on their way to the airport. Pretend they’re having conversations with the warm folk. Yet, their curse weeps like a cyst. People get the creeps. They don’t know why. You wake up with a horrid taste in your throat, thinking you swallowed a statistical spider. You don’t see the thing hanging above your face, drooling with longing. Oh, you would quiver to know what it would take to make a sad monster glad.

All vampires should be feared, but the Nosferatu control fear. They might look horrifying, or they might look like anyone else, but there’s something about them. Something of the grave, something of the deep places that writhe with too many eyes and limbs and fingers that are not fingers, something just… wrong.

The Haunts have always been there. Haven’t they? In the dark corners and crawly cracks of things. They haunted ancient Greece. Mothers prayed to them, even as their blackened babes ripened with plague. They called upon the name Nosphoros, “disease-bearing”; cursed by Artemis and Apollo to carry pestilent blessings. “O dread eater,” they prayed. “O glorious worm, O ruined mouth, O pale thing that is both ghost and flesh, please pass over my household tonight.” They haunted Rome, where the Brothers and Sisters Worm held court in the forever-dark of Necropolis. They haunted the hidden places of Romania when the empire fell. Through the dead rats, waste, and clotting gutters, they wriggled down the centuries, an undulant dread, lubricated on disgust.

Terror is a constant. Always, there is fear, always pouring, and the Nosferatu drink from a chipped cup. They wake to these strange nights, where grotesquery is chic. Always, they emulate not just the underground, but the Underworld. Look to the names of their modern Necropoli: Sheol in Los Angeles, Muspelheim in Hamburg, The Fields of Aaru in Detroit, and Mictlan in Mexico City. They answer the echo of something chthonic that wriggles in the ruins of their ribs. The elder Haunts tell stories of the Hidden Ones, the Gods Below, and even the most skeptical neonate can almost hum along to the song of the ancient and the sleeping. Whatever is in their Blood, it moves with a sickening plasticity of purpose. Every black drop is a carnival freak show. Horrid delights, grotesque wonders, endless putrid potential all stored in the family Vitae, expressed in endless variety through the petri dish of each living soul it slithers into.

The Haunts are still here. They never left. They perch on the edge of your periphery. They swim with the floaters, contaminating your vitreous humor. Always behind you. The more you turn, the more tired you get. Hush now. There are no such things as monsters.

Paradise City is full of celebrities, starlets, business tycoons, and well-to-do socialites. Those beautiful people are also outnumbered by the unwashed masses on a nearly unfathomable scale. Many of the rich live in secret (or not so secret) fear of the poor, who might rise up to eat them. So it is with the Nosferatu. They proliferate Paradi City in great number, easily outnumbered any two of the other Clans.

While not necessarily ugly, many Nosferatu embraced in Paradi find the cross over into undeath warps them in some way. Unique, unusual, and always disturbing in some fashion, the Nosferatu really are the Beast That Haunts the Blood. They wear on the outside what many vampires hide within. The Venture may lord from their towers, the Daeva from their salons, but the Haunts are everywhere.